Cosmic American Blog: Zrbo Reviews: VNV Nation's Noire
Main · Videos; Grover vineyards in bangalore dating online dating schiefer wurf berechnen online dating vnv nation atheist dating vnv nation atheist dating. This all brings us to Noire, the tenth studio album by VNV Nation. At thirteen tracks it's their longest album to date, and at just shy of 74 minutes nearly Atheist? perhaps Buddhist?) and "God of All" seems to directly address. VNV Nation is a European-based alternative electronic project led by Ronan Harris in the roles. In the American market, the physical CD will be distributed by .
I have pictures of it in books describing how the lobby had been done and how it had been designed by proto-Deco designers in the original plans, but when they got to building it, there was this big race on to build the biggest and craziest and most amazing building using new building techniques.
This being plasticretes and pre-formed concrete slabs or Oh god man, I did my research into this when I was doing FuturePerfect. The idea of steel beams could actually mean that buildings didn't have to conform to old architectural standards from the 's. I found it fascinating to find out that it was the Great Fire of Chicago that set about this happening, because they obviously had to rebuild Chicago and somebody came up with this amazing idea in the 's of "this is what the city could look like in the future.
You could see the railway tracks, the monorail plans they had, the way the buildings interacted with everything. Some of the buildings, especially the train station itself, almost looked like a giant hydroelectric dam, which was interesting to me because electricity was still this new, trendy, great invention.
I find it fascinating how these inventions shape their time. Aerodynamics, and the Space Age, the advent of electricity and it's accessibility to people in their general homes; how it affected design, how it affected aesthetic, I've always been fascinated by this. I can't believe we're talking right now.
I've been a fan of VNV Nation for quite some time now thanks to my friend Greg, and you've been a huge inspiration for pushing this site ahead to where it will be tomorrow.
Look at it this way. You're doing what I wanted to do back in the 90's. I was so fascinated by this world that never was. Kraftwerk used to wear their beautiful 's suits. They espoused this era of travel. It's a romantic era. My apartment is covered in remnants and monuments to the great idea of travel. This idea that this mysterious world was out there, and people in their beautiful clothing could get on board either a Consolation or say a DC4 or something like that and travel off on a giant machine with some wonderful airline name written on the side.
This romanticism, this beautiful new romantic movement of idealizing the world. There is this wonderful series of books made by a company in Germany called Icon.
They had a book that somebody gave me called "Future Perfect," which is how the world envisioned the future from the 's and the 's. It's what I grew up with. What fascinated me was this view of how rockets would be shaped, how the world would be in say I don't want to throw off your night, but we just ran a whole week's worth of videos revolving around how the world of the 's — 's saw the "far off Year I remember in the 70's reading these science magazines that were still using those pictures.
Sci-fi, which has always fascinated me not because I wanted horror, but because wanted to envision the world of the future. It still borrowed from the 60's, because they didn't have a great new vision until the late 60's and the whole Space Race. This pantomime design team came up with this look for the future that they gave gloriously to the film " I've always tried to incorporate this into our work.
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I've tried to describe it as "retro-futurist. The ideal for Futurism was to build a world for us, not to build us for the world. I feel that's the sad legacy we will leave in years when people look back upon our time in that we were trying to be cookie-cutter formed for our environment rather than the aesthetic be an expression from us, and for us.
Have you followed that theme in Of Faith, Power and Glory? It's always looking back at looking forward. Parts of one of the songs called "Tomorrow Never Comes" required me to get the feeling of something. I was feeling a little bit retro with the track beat, because I was going back to late 70's electronic music, particularly late 70's electronic disco.
It was weird, because that was the prototype for so much synth-pop. And I don't mean the really kitsch stuff.
An ‘atheist rock’ genre? | ScienceBlogs
I just felt that the future just exploded through the speakers on the radio. I was fascinated by modular synths, giant walls of cables and dials, in that it looked like a scientific lab. It looked like what I associated with the creation of anything that should be both scientific and it should be for art purposes or aesthetic purposes.
Hence, my view that the world should be built for us, rather than us for the world, in that it should be somehow complimenting the human character. We often tend to forget that we are human.
Or, rather, large corporations forget this. Having been someone who was so fascinated with the future, and how it could be, having looked back, synthesizer music resonated with me from a very early age. I was very grateful that Irish radio had some people in programming who would use electronic music.
You had to understand that this was the 70's and electronic music was still the scientific frontier. It wasn't formulated, it wasn't "you've got synth, you must look like this. It was about creating everything from abstract sound to unearthly "future happy" music for computers. I lament that era. I lament that spirit. I've always wanted to incorporate that into our music.
I wanted to make a live video for it that featured footage from atomic tests, and it brought me back to this What do they call it, "Ray Gun gothic style? It's been adopted by the steampunks and it's moving up into the Dieselpunks, ahead to the Flash Gordon types, atomicpunk.
Don't get me started. When I was a kid, during the summer break, British television would run children's programs in the morning. It was the only time they would do it, because otherwise, kids were at school. That summer, it was always going to be either King of the Rocket Menor Flash Gordon, and a whole bunch of other shows.
I used to sit there looking at these crappy models thinking, "I could make this in my bedroom. Looking back now, you think, "Oh my god. Did they do this with a budget of five bucks? It was 10 years, 20 years in some cases, ahead of its time.
It captured the styling of how things would be designed. In the early 50's, there was this very popular notion of streamlining everything. Making it look like lines of power, lines of water, lines of movement; everything racing into the future. In our race to the future, we seem to have dropped a few things along the way. I think it's important to look back at that. People were told that this was really great for their future.
We weren't the most responsible of people in the past, but at the same time I lament the great sense of naivety. There's a film that was shown during the World's Fair When I was doing FuturePerfectand I'm not sure how this happens, suddenly all these coincidental things started to happen. Suddenly, there would be a documentary about Futurism, and the origins of Futurism, the Futurist Manifesto, Modernism, on television which I didn't expect.
Or when I was doing the album, "Praise the Fallen," for example, I really badly wanted to include samples of the film Things to Comewhich is another one of my favorite films. You and I are both I'm just listing off things, ticking them off as we go, that you've probably watched and loved as well.
I would avoid the video area of the website if you're planning on getting any work done. Nine out of ten of the movies you've mentioned, including King of the Rocket Menare up there for our fans to watch. You're not just preaching to the choir. You're in the choir. I'm going go there, because seriously. If you have footage However, I really wanted elements of Things to Come to be on the album, because it was very important to me. This is what everyone is now jumping on and calling 'steampunk.
I used to read a comic book in the 70's called AD and one of the stories featured a character named Nemesis the Warlock, where the future was Victorialand. It was the far distant future, where you had a clash of the Inquisition and everything was styled in a late 's Victorian aesthetic. It was, again, it was another one of these incredibly influential things; a pogrom against all alien species by zealots in this excellent styling.
That was a bit bizarre. I was working on FuturePerfect. I was doing a great deal of research on Futurism and also Futurist architecture just so I could feel the vibe of this, although I knew the music could never There is no true style of Futurist music. It's whatever is contemporary that could allude people back to a bygone era. When I thought of what could be done visually and also through theme, [such as] entitling the song "Electronaut.
The imagery, and particularly a window between the restaurant and the kitchen — you have to visit it, because it's just marvelous — are set up to look like turbines.
They're made of rounded glass, and the radiators are long and thin and go up very high on the walls, giving you the idea of height and strength. Sounds like The Edison in Los Angeles. However, this was done a number of years ago. Even going back through Deco era and looking to see how Deco bars were done with the stainless steel and what have you all around the bar; all these parallel lines, and movement, and curves.
It had a very organic flow to everything, while at the same time everything was very manufactured. The bar was done exactly to those designs, and I wandered into this place by complete accident. And there on the wall was a poster for one of the adverts for the Chicago World's Fair in black and white, which looked uncannily like the cover of FuturePerfect.
And I thought, "Someone, the universe, is screwing with me, having a laugh," because the coincidences, the synchronicity was just bizarre. The same thing happened around Of Faith, Power and Glory. The Japanese were always really good about it in depicting something futuristic, as well as tying in this World War I uniform image. I found that fascinating, regardless of how we look back, of how horrific war is, it's this aesthetic of honor, these notions of bravery that we would associate with people of that time; the way they lived and how they conducted their lives.
I love this marrying of those two styles. Taking a past era and "futurizing" it. When I saw Blade Runnerit was the same thing for me; taking a Mike Hammer novel and throwing it a hundred years into the future.
The hair styles, the buildings themselves was the era that America tried to build that never was, alas. That reminds me of a William Gibson book. I'm sure you've read it. I have to ask. Now that you have full control over the whole process from concept to studio to packaging, now that we're living in "the" future, what is VNV Nation doing to bring that Futurist aesthetic into your songs or into your music in general?
I can hear the influence of older, more analog synths in your current music, but have you thought about reaching further back and including brass or string instruments in your work? FuturePerfect was full of string quartets all over the place. I actually had a guy come in to program them for me, because I didn't want to get a string quartet in, because I wanted to get Now we get into the process, and this is good.
I wanted these to be synthetic. I set about, with FuturePerfect for example, which is an album about 8 years old. It was released inbut this is about the making of it in Which was, when I think about it now Anyway, at the time, there was this notion that you could have plug-ins and all the software on the computer. In the past, my view of the scientific lab, where one made sound, was something like the old RCA synthesizer from the 's, which I've seen.
I've even seen the Seaman's sound laboratory from the 50's, which I touched and just lost it. My girlfriend saw me walk into this room in the Deutsches museum in Munich, where they have a room dedicated to the history of electronic sound, and saw me quiver. I was playing with a theremin for about a good hour. I even had to beat some kids away from it. Do you know what movies this has been used for!?! I just saw a flat screen on a desk, with a very minimal keyboard and a mouse, and a controller keyboard and that would be it.
It was total streamlining. Every element, down to the core processor, and I got about making the whole album simply on the computer. Which, in my own view, this is what the future was coming to. It was harder than I had originally thought. But we always tie this bygone age with the modern age together. I try to marry the two. I've always had these elements of past music.
I'm a big fan of opera and classical music, once again the Romantic period of music, which would have been the late 's — early 's, the frontier period where a lot of musicians were really endeavoring to create and succeeded. People like DeBussy, or Eric Satie, Stravinsky, they were really taking the contemporary music of the time and turning it on its head; within the elements it was made up of — the general orchestra itself — and then going off and making mad instruments that weren't instruments at all.
They were just devices that made a sound. There's a piece of music by Stravinsky called Ionization, which is really just a set of sounds using specially constructed instruments.
They were just the tools that were available at the time. Sounds like The Clockwork Quartet and their Steamdrone. I would love to see the 's to see how people who were limited so much by technology still endeavored to make, for example, the first computer or musical instruments. There was a synthesizer invented in the late 's. Someone was attempting to just make sound with electricity, and found that different frequencies resulted in a different tone in the device.
INTERVIEW - Ronan Harris of VNV Nation
Then they thought, "Hey. Maybe I can do something with this! Would be the obvious choice, but I can think of several reasons why I wouldn't suggest it to Soundclick. I guess that in general, a lot of music from the heavier end of the rock spectrum would count as explicitly anti-religious.
The explicit expression of atheist views hasn't really been a very common occurrence throughout the history of music considering a. Log in to post comments By G. David Parsons not verified on 18 Aug permalink Can the original author of the request please define for me what "atheist rock" is?
Is it rock that has a notable atheist agenda, or is it simply rock that is not specifically theist? In the case of the former, I suspect the list of bands to be quite short. For the latter, it seems to me that most rock fits the category. Either way, I think it is a rather silly request. I simply choose to not listen to Christian music. Unfortunately, this has a side effect: I rarely listen to the lyrics of a song until I've listened to it several times.
It isn't unusual for me to like a song, only to find out it is basically a mainstream Christian rock song. I have to bust out the MC Hawking to feel clean again. It's a love song, nothing more. I'm an atheist and I say "Oh God" and "God only knows" from time to time.
The latter in the pantheistic sense. I have a blind friend who ways "I see" all the time. Log in to post comments By Geoff not verified on 18 Aug permalink MC Frontalot has a great song called "Origin of the Species" which makes awesome fun of fundamentalism, but he's considered "nerdcore" yes, there is such a thingnot atheistic music if there is such a thing.
Log in to post comments By Rachel not verified on 18 Aug permalink I simply choose to not listen to Christian music. You're missing out on some great work, then. Bach, Mozart, and Handel wrote some beautiful pieces. Randolph not verified on 18 Aug permalink Yeah, I came to the conclusion a while back that if you have to explicitly market yourself as "Christian" it's because the music sucks too much to hit the mainstream.
It's not uncommon to hear a song with christian themes on the radio, so it's not as if they have to create this underground culture to spread the word. It's only appealing to people who have made religion the alpha and omega of their lives, and I have no desire to pigeonhole my musical tastes that way. Its pretty catchy too. The first verse as an example: Metal is generally anti-establishment, which tends to include religious institutions, but is not necessarily atheist in content.
And I say this as a dyed-in-the-wool metalhead. A lot of metal, especially power metal, deals with occult or fantasy themes. Then we have the black metal scene of the early 90s, which was admittedly explicitly anti-Christian, but tended to embrace criminal behaviours murder, church-burning or irrational ideologies paganism, Nazism. Most "atheist" bands aren't the ones that promote an ideology of non-religion, because that's no better than the contemporary Christian music CCM genres, which combine preachy lyrics with derivative music.
Rather, the best "atheist" bands are the ones that make you think or ask you to examine stances critically: Muse, Rush, Tool, Marilyn Manson. In a similar vein, most of the members of my favourite band, Dream Theater, practice some religious faith but in their songs that explore religion "Voices", "Blind Faith", "The Great Debate" there is an honest lyrical examination of those beliefs and jaw-dropping musicianship to boot.
Log in to post comments By False Prophet not verified on 18 Aug permalink I don't think you can have a specific "atheist" music genre.
I would categorise music such as XTC's song and others that people have mentioned here as anti-religious certainly, but not atheist. If music is not specifically religious, then the definition is secular, not atheist - and secular music is the vast proportion of all modern music, I would say. I write music on scientific and astronomical themes because that's what interests mebut I have never considered calling it "atheist music".
It's just music and some people don't even call it that, but I don't give a monkey's!